This Will Not End Well is the artist’s first retrospective as a filmmaker; Milan, Italy is one of many stops on its major touring route
This Will Not End Well is the artist’s first retrospective as a filmmaker; Milan, Italy is one of many stops on its major touring route
At MK Gallery, Milton Keynes, Dare to Look brings together over four decades of work by the Chilean artist
The Church of Our Becoming is Yulia Mahr’s challenge to the binary – here, the artist discusses the body of work as well as her upcoming show at Compton Verney
A conversation with Luis Juárez, editor of LATAM’s first queer photography magazine, on its latest issue and collaboration with Nan Goldin
Nimie Li’s graduate project about his mother explores his Chinese-British adolescence and poses questions around how movement effects intimacy
“This is an ambitious, multilayered project,” says Nathalie Herschdorfer, director of Photo Elysée and Jury President of the Lausanne museum’s biennial prize for a mid-career photographer, commenting on the latest recipient, Hannah Darabi’s Why Don’t You Dance?
The photographer reflects on his journey from street musician to photographer, the emotional power of fog, and his latest project The Black Rainbow
In the US, the trans community faces a lack of funding in the arts. Danielle Ezzo speaks to four trans photographers in the US at a time of insecurity
The Tunis-born fashion artist uses photography to express the complications of queer love and personal history
If to be seen is to exist, we must not underestimate the power of photography to validate our experiences.
With the history of the medium anchored in the white male gaze, this collection celebrates artists who traverse new realms of agency and autonomy, exploring the important role that photography can play in visualising marginalised identities.